Sunday, February 13, 2011

Yang's Ten Important Points (part 2)

Here's is Part 2 of Yang's Ten Important Points in practicing Tai Chi...with short commentary by Chen Wei-ming. These ten points can also be applied to Sanchin Kata of Okinawan Karate...it may not be obvious at first, but practice Sanchin with Tai Chi principles and it is amazing what comes out. Unorthodox...yes...but that's me!

6.  Use Mind and not Force. (The Tai Chi Chuan Classics say  "all of this means use mind and not force." In practicing Tai Chi Chuan the whole body relaxes. Don't let one ounce of force remain in the blood vessels, bones and ligaments to tie yourself up. Then you can be agile and able to change. You will be able to turn freely and easily. Doubting this (not using force), how can you increase in power?)

7.  Upper and lower mutually follow. (The Tai Chi Chuan Classics say "the motion should be rooted in the feet, released through the legs, controlled by the waist and manisfested through the fingers." Everything is the same. When the hand, waist and foot move together, the eyes follow. If one part doesn't follow, the whole body is disordered.)

8.  Inside and outside coordinate. (In the practice of Tai Chi Chuan the main thing is spirit. Therefore it is said, "the spirit is the commander and the body is the subordinate." If you can raise the spirit, then the movements will be naturally agile.)

9.  It is mutually joined and unbroken. (As to the external schools, their chi is the Latter Heaven brute chi. Therefore it is finite. There are connections and breaks.During the breaks the old force is exhausted and the new force has not yet been born. At these moments it is very easy for other to take advantage. Tai Chi Chuan uses mind, not force. From beginning to end it is not broken. It is circular and is again resumes. It revolves and has no limits.)

10.  Seek stillness in movement. ( The external schools assume jumping about is good and they use all their energy. That is why after practice everyone pants. Tai Chi Chuan uses stillness to control movement. Although one moves, there is also stillness.Therefore in practicing the form, slower is better. If is it slow, the inhalation and exhalation are long and deep and the chi sinks to the tantien.)

Hope this expands your mind on how to look at Sanchin Kata...and practice it. I am an artist and love to play with my colors...when you play you create wonderful works of art. Sanchin is endless in its expression.

Hands palm to palm,
Shinzen

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